Week 4: Outcome & ambition
Lecture:
In this week’s lecture, we look at the significance of the role of self-initiated projects in shaping the identity and creative direction of design studios. Highlighting the crucial aspects that differentiate these projects from client-led collaborations, emphasising the impact and nuances that each approach brings.
These interviews provided valuable insights into the dynamics and challenges involved in both self-initiated and client-led projects. Christoph Miller from Offshore Studio emphasises how self-initiated projects act as a filter, helping them identify their interests and preferred working styles.
Veronica Fuerte from Hey underscores the importance of self-initiated projects in fostering creativity and continuous growth. These projects offer freedom and flexibility that might not be possible in commercial projects, enabling designers to experiment and explore without the constraints of client demands and deadlines. She highlights the importance of maintaining a balance between commercial projects and self-initiated ones to infuse fresh energy and creativity into all aspects of the studio's work.
In conclusion, the interviews illustrate the multifaceted nature of self-initiated projects and their impact on shaping the identity, creativity, and visibility of design studios. They highlight the importance of balancing commercial work with self-initiated projects to maintain a sense of creativity, exploration, and personal expression within the design industry. The insights provided serve as a reminder of the importance of self-initiated projects in fostering creative growth and nurturing a distinct design identity within the ever-evolving landscape of the design industry.
Research task:
The aim of my exhibit is to showcase the development and history of live entertainment music production. From early stage builds to the present, visitors will witness the evolution of custom-built concert production. The exhibit will also provide a glimpse into the future of live immersive experiences, similar to the groundbreaking developments at the Sphere in Las Vegas.
I aim to pitch my exhibit idea to the London Design Museum by presenting a pitch that will highlight what the exhibition will entail.
The evolution of live entertainment production. This exhibit will offer an engaging experience focussing on the history (FOUNDATION), from early stage builds to contemporary custom-built concert experiences (PRESENT), while also providing a glimpse into the (FUTURE) of immersive live experiences, inspired by the innovative developments seen at the Sphere in Las Vegas.
Through a carefully curated display of interactive elements and informative presentations, the exhibit will aim to showcase the impact of the advancement in technology on the live music landscape.
The whole aim of this brief is to educate and inspire individuals about the history and future of live concert production design.
Therefore, I have chosen the London Design Museum as a venue to host this exhibit.
Finding ways to get in contact with the museum regarding the launch of a new exhibit I found quite difficult.
Their website did not provide much information on this.
However, the website does feature a contact section and features details about getting in touch with their Press Office.
As a means of contacting the Museum’s curators, I have drafted a letter explaining my plans along with a concept image of the exhibit itself.
